From collection Creating Acadia National Park: The George B. Dorr Research Archive of Ronald H. Epp

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Perkins Family
11
Perkins Family
6/12/2015
Thomas Handasyd Perkins - Wikipedia, the free encyclopedia
#6 parkSt.sold to T.H. Perhar
Thomas Handasyd Perkins
in 1801 who resold it in 1802
From Wikipedia, the free encyclopedia
to John 9ore. Park Street undits
Colonel Thomas Handasyd Perkins, or T. H. Perkins
(December 15, 1764 - January 11, 1854), was a wealthy
Thomas Handasyd Perkins
Victinity
Boston merchant and an archetypical Boston Brahmin.
Starting with bequests from his grandfather and father-in-
law, he amassed a huge fortune. As a young man he was
a slave trader in Haiti, a Maritime Fur Trader, trading
furs from the American Northwest to China, and then a
major smuggler of Turkish opium into China. [2][3]
Contents
1 Life and career
2 References
3 Footnotes
4 Further reading
Born
December 15, 1764
5 External links
Died
January 11, 1854 (aged 89)
Brookline, Massachusetts
Life and career
Nationality American
Occupation Shipping magnate
His parents, James Perkins and Elizabeth Peck, had ten
Net worth
USD $3 million at the time of his
children in eighteen years. When Perkins was twelve, he
death (approximately 1/1116 of US
was in the crowd which first heard the Declaration of
GNP)[1
Independence read to the citizens of Boston. The family
had planned to send Perkins to Harvard College, but he
had no interest in a college education. In 1779 he began working, and in 1785 when he turned 21 he became
legally entitled to a small bequest that had been left to him by his grandfather Thomas Handasyd Peck,
a
Boston merchant who dealt largely in furs and hats. Until 1793 Perkins engaged in the slave trade at Cap-
Haitien Haiti.
In 1785, when China opened the port of Canton to foreign businesses, Perkins became one of the first
Boston merchants to engage in the China trade. He sailed on the Astrea to Canton in 1789 with a cargo
including ginseng, cheese, lard, wine, and iron. On the trip back it carried tea and silk cloth. In 1815 Perkins
and his brother James opened a Mediterranean office to buy Turkish opium for resale in China.
Perkins was also a major industrial investor within Massachusetts. He owned the Granite Railway, the first
commercial American railroad, which was built to carry granite from Quincy quarries to Charlestown for
construction of the Bunker Hill Monument and other city buildings in Boston. He also held significant
holdings in the Elliot textile mills in Newton, the mills at Holyoke and Lowell, New England canals and
railroads, and lead and iron mines including the Monkton Iron Company in Vermont. In addition, Perkins
was politically active in the Federalist Party, serving terms as state senator and representative from 1805-
1817.
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Thomas Handasyd Perkins - Wikipedia, the free encyclopedia
In later years Perkins became a philanthropist. In 1826, he and his brother, James Perkins, contributed half
the sum of $30,000 that was needed for an addition to the Boston Athenaeum, and the old Boston
Athenaeum Gallery of Art was moved to James Perkins's home. [4] The Perkins School for the Blind, still in
existence in Watertown, Massachusetts, was renamed in his honor after he donated his Boston mansion to
the financially troubled "Massachusetts Asylum for the Blind" in 1832. He was also a major benefactor to
the Boston Museum of Fine Arts, McLean Hospital, and helped found the Massachusetts General Hospital.
Upon retirement, Perkins built a summer home on Swan Island in the Kennebec River near Richmond,
Maine. He helped the island achieve independent municipal status by paying legal fees for its charter and
the town was renamed Perkins in gratitude. It is now Perkins Township, a ghost town. Colonel Perkins died
on January 11, 1854 in Brookline, Massachusetts, and is buried in the family plot at Mount Auburn
Cemetery.
Perkins married Sarah "Sally" Elliott (1768-February 25, 1852) on March 25, 1788, in Boston,
Massachusetts. They had three children: Colonel Thomas Handasyd Perkins, Jr. ("Short-arm Tom"), whose
daughter Louisa married the Boston painter William Morris Hunt; [5]
Elizabeth
Perkins
Cabot
(1791-1885);
and Caroline Perkins Gardiner (1800-1867). His nephew John Perkins Cushing was active in Perkins'
China business for 30 years; the town of Belmont, Massachusetts is named for his estate. His great nephew
Charles Callahan Perkins became a well known artist, author and philanthropist like his grandfather James
Perkins.
References
Thomas G. Cary (1856). Memoir of T. H. Perkins
(http://archive.org/stream/memthomashand00caryrich#page/n11/mode/2up).
Carl Seaburg and Stanley Paterson, Merchant Prince of Boston. Colonel T.H. Perkins, 1764-1854,
1971.
Footnotes
1. Klepper, Michael; Gunther, Michael (1996), The Wealthy 100: From Benjamin Franklin to Bill Gates-A
Ranking of the Richest Americans, Past and Present, Secaucus, New Jersey: Carol Publishing Group, p. xiii,
ISBN 978-0-8065-1800-8, OCLC 33818143 (https://www.worldcat.org/oclc/33818143)
2. American Merchants and the China Opium Trade, 1800-1840. Jacques M. Downs. Business History Review,
Vol. 42, No. 4 (Winter, 1968)
3. American Trade in Opium to China, Prior to 1820. Charles C. Stelle. Pacific Historical Review, Vol. 9, No. 4
(Dec., 1940)
4. The Philanthropy Hall of Fame, Thomas Perkins
(http://www.philanthropyroundtable.org/almanac/hall_of_fame/thomas_perkins)
5.
History of the Descendants of John Dwight of Dedham, Mass., Benjamin Woodbridge Dwight, J.F. Trow & Co.,
New York, 1874 (http://books.google.com/books?
d=WLfMU4yd1FYC&pg=PA421&lpg=PA421&dq=dwight+leavitt&source=web&ots=I935DS2rWX&sig=oG1
VIU3201UX1CscT2TcLmpntxU&hl=en#PPA408,M1The)
Further reading
Hunt, Freeman (1858). "Thomas Handasyd Perkins". Lives of American Merchants
https://en.wikipedia.org/wiki/Thomas_Handasyd_Perkins
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Thomas Handasyd Perkins - Wikipedia, the free encyclopedia
http://books.google.com/books?id=lygKAAAAIAAJ) 1.
Perkins and Company, Canton 1803-1827. Bulletin of the Business Historical Society, Vol. 6, No. 2
(Mar., 1932). Jstor 3110803.
External links
Massachusetts Historical Society Thomas Handasyd Perkins papers, 1783-1892
(http://www.masshist.org/collection-guides/view/fa0268)g guide
Portrait (http://www.bostonathenaeum.org/james-perkins-1822-gilbert-stuart) of James Perkins,
brother of T.H. Perkins
Retrieved from "http://en.wikipedia.org/w/index.php?title=Thomas_Handasyd_Perkins&oldid=661798893"
Categories: 19th-century American railroad executives | American philanthropists
Businesspeople from Boston, Massachusetts | People from Brookline, Massachusetts 1764 births
1854 deaths
This page was last modified on 11 May 2015, at 05:34.
Text is available under the Creative Commons Attribution-ShareAlike License; additional terms may
apply. By using this site, you agree to the Terms of Use and Privacy Policy. Wikipedia® is a
registered trademark of the Wikimedia Foundation, Inc., a non-profit organization.
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MHS Thomas Handasyd Perkins Papers, 1783-1892 : Guide to the Microfilm Edition
Page 1 of 16
THE
MASSACHUSETTS
About MHS
Library
Online
In Print
Education
Events
HIS TORICAL SOCIETY
Library: Finding Aids
Search all Finding Aids
List of Finding Aids
Related Pages:
ABIGAIL (online C
Search within this finding aid:
Search
Search query is interpreted as a phrase.
Combine multiple terms or phrases with AND, OR, or commas.
Search for names in reverse order. For example: Adams, John
Table of Contents
Collection Summary
Biographical Sketch
Thomas Handasyd Perkins Papers
Collection Description
Related Materials
1783-1892
Acquisition Information
Organization
Detailed Description of the
Guide to the Microfilm Edition
Collection
Select Index
Preferred Citation
Access Terms
Collection Summary
Creator:
Perkins, Thomas Handasyd,
Abstract:
1764-1854
This collection consists of the personal
Title:
Thomas Handasyd Perkins
papers and business records of Thomas H.
papers
Perkins (1764-1854), including
correspondence, diaries, invoices, account
Dates:
1783-1892
books, ledgers, and other papers.
Physical
2 document boxes, 59
Description:
volumes, 11 extra-tall
volumes, and 1 oversize box
Call
Ms. N-648 (tall)
Number:
Microfilm
P-334, 17 reels
Call
Number:
Repository:
Massachusetts Historical
Society
1154 Boylston Street
Boston, MA 02215
http://www.masshist.org/findingaids/doc.cfm?fa=fa0268
3/7/2007
MHS Thomas Handasyd Perkins Papers, 1783-1892 : Guide to the Microfilm Edition
Page 2 of 16
library@masshist.org
Table of Contents
Biographical Sketch
Thomas Handasyd Perkins (1764-1854) was one of Boston's most successful China
merchants.
Table of Contents
Collection Description
The Thomas Handasyd Perkins papers consist of the personal papers of Thomas
Handasyd Perkins and the records of various Perkins trading firms, including
correspondence, invoices, and other business papers related to late 18th-century and early
19th-century mercantile trade. Subjects include the Boston Tea Party, 18th-century slave
revolts in Santo Domingo, and trade during the War of 1812. Among the significant
correspondents are John Jacob Astor, Robert Bennet Forbes, and Georges Washington
Motier de Lafayette. The bound volumes include diaries of Thomas H. Perkins; a
letterbook of his grandson Thomas H. Perkins III (1823-1900); and account books,
blotters, journals, ledgers, letterbooks, and waste books of the firms E. Bumstead & Co.,
J. & T. H. Perkins, J. & T. H. Perkins & Sons, and Perkins & Co.
The collection is divided into three series: I. Loose papers; II. Oversize papers; and III.
Bound volumes. This guide also contains an Select Index of correspondents in Series I
(Loose papers), names mentioned in Series II (Oversize papers), authors and owners of
the volumes in Series III (Bound volumes), and select individuals and subjects of
historical significance found in the collection.
Table of Contents
Related Materials
The Massachusetts Historical Society (MHS) holds the following collections related to
the Thomas Handasyd Perkins papers:
Thomas Handasyd Perkins travel diaries, 1789. Special Colls.
Table of Contents
Acquisition Information
Gift of George Edward Cabot, 1922.
http://www.masshist.org/findingaids/doc.cfm?fa=fa0268
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MHS Thomas Handasyd Perkins Papers, 1783-1892 : Guide to the Microfilm Edition
Page 3 of 16
Table of Contents
Organization of the Collection
The collection is organized into the following series:
I. Loose papers, 1789-1853
II. Oversize papers, 1795-1851
III. Bound volumes, 1783-1892
A. Personal journals, 1789-1892
B. Business papers, 1783-1857
Table of Contents
Detailed Description of the Collection
Reel
Box
Contents
I. Loose papers, 1789-1853
Arranged chronologically.
This series contains correspondence, invoices, bills of lading, and other
papers related to late 18th-century and early 19th-century mercantile
trade. Significant subjects include the perils of trading during the French
Revolution and the War of 1812, the 18th-century slave uprisings in
Santo Domingo, and the sometimes violent encounters between traders
and Indians on the northwest coast of America. Among the notable
correspondents represented in this series are John Adams, John Quincy
Adams, Fisher Ames, John Jacob Astor, Edward Everett, John Murray
Forbes, Robert Bennet Forbes, Georges Washington Motier de Lafayette,
and Jonathan Mason.
For a list of the correspondents in this series, see the Select Index.
Reel 1
Box 1
1789-1805
Reel 2
Box 2
1806-1853
Table of Contents
Reel
Box
Contents
Reel 2
Box os II. Oversize papers, 1795-1851
This series consists mainly of newspaper clippings and legal documents
pertaining to the sea trade.
For a list of the names mentioned in this series, see the Select Index.
http://www.masshist.org/findingaids/doc.cfm?fa=fa0268
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MHS Thomas Handasyd Perkins Papers, 1783-1892 : Guide to the Microfilm Edition
Page 4 of 16
Table of Contents
Reel
Volume
Contents
III. Bound volumes, 1783-1892
For a list of the authors or owners of the volumes in this series, see
the Select Index.
A. Personal journals, 1789-1892
This subseries contains the diaries and personal journals of
Thomas H. Perkins, including one letterbook (Vol. 32) of his
grandson Thomas H. Perkins III (1823-1900). Most of the
journals describe the travels of the Perkins family in Europe and
the United States.
Reel 3
Vol. 1
13 July 1789
Reel 3
Vol. 2
Voyage on ship Charlotte to Bordeaux, 14 Dec. 1794-2 Feb.
1795
Reel 3
Vol. 3
At Paris, France, 12 Mar.-21 May 1795
Reel 3
Vol. 4
France to Holland and back, 10 May-6 June 1795
Reel 3
Vol. 5
Paris to Amsterdam, 6 June-24 July 1795
Reel 3
Vol. 6
Europe and England, 1 July-29 Sep. 1795
Reel 3
Vol. 7
At Saratoga Springs, N.Y., 3-12 Sep. 1800
Reel 3
Vol. 8
On a voyage to Bristol, England, 27 Aug.- Sep. 1811
Reel 3
Vol. 9
At Cherbourg, 14 May 1812, 1 June 1812
Reel 3
Vol. 10
London to Boston, 11 June 1820, 10 July 1823
Reel 3
Vol. 11
Liverpool, England, 11 May-5 July 1823
Reel 3
Vol. 12
London to Holland, July 1823
Reel 3
Vol. 13
Voyage on ship Milo, 14 Apr.-31 July 1826
Reel 3
Vol. 14
Trip to England, 4 May 1826
Reel 4
Vol. 15
Voyage on Margaret Forbes to London, 13 July-5 Aug. 1829,
and Dover to Boston, 20 Sep.-22 Oct. 1829
Reel 4
Vol. 16
In England, Aug.-Sep. 1829
Reel 4
Vol. 17
Account books, 30 Nov. 1834-2 Jan. 1835, and at London, 22
Mar. 1835
Reel 4
Vol. 18
London to Paris, 4-19 Apr. 1835
Reel 4
Vol. 19
In Europe, 19 Apr.-5 May 1835
Reel 4
Vol. 20
In Europe, 9 May-9 June 1835
Reel 4
Vol. 21
In Europe, 12-29 June 1835
http://www.masshist.org/findingaids/doc.cfm?fa=fa0268
3/7/2007
6/12/2015
Charles Callahan Perkins - Wikipedia, the free encyclopedia
Charles Callahan Perkins
From Wikipedia, the free encyclopedia
Charles Callahan Perkins (March 1, 1823 - August 25, 1886) was
an art critic, author, organizer of cultural activities, and an
influential friend of design and of music in Boston.
Contents
1 Biography
2 References
3 Sources
4 Further reading
5 External links
Portrait of Charles C. Perkins, 19th
Biography
century
Charles C. Perkins was born in Boston on March 1, 1823, to James and Eliza Greene (Callahan) Perkins.
His father, descended from Edmund Perkins who emigrated to New England in 1650, was a wealthy
and
philanthropic merchant. His mother was a gracious, cultivated woman. The family was wealthy. Perkins
was the great nephew of Thomas Handasyd Perkins, who founded the Perkins shipping empire J. & T.H
Perkins with Charles' grandfather James.
Perkins attended several schools before entering Harvard College, where he found the prescribed academic
course irksome. He graduated in 1843. He had previously drawn and painted and went abroad soon after
graduation to study art. In Rome he became friendly with and encouraged the sculptor Thomas Crawford,
then struggling economically. In 1846, Perkins took a studio at Paris, where he had instruction from Ary
Scheffer. Later he pursued studies in the history of Christian art in Leipzig. Returning to Paris he took up
etching with Bracquemond and Lalanne. He made many etchings to illustrate his own books.
Perkins, independently wealthy, devoted his life to interpreting the art of others. In 1850-51 and from 1875
until his death he was president of the Handel and Haydn Society, Boston, and sometimes conducted their
concerts and wrote music the ensemble performed. (The German publisher Breitkopf and Härtel, the
world's oldest music publishing house, issued Perkins's Piano Trio and two string quartets in 1854 and 1855
respectively; Perkins's compositions were the first works by an American ever published by that firm.) He
married on June 12, 1855, Frances Davenport Bruen, daughter of the Rev. Matthias Bruen, of New York.
They gave many concerts and recitals at their home. Perkins was the largest subscriber to the construction
of the Boston Music Hall, forwhich he also contributed the great bronze statue of Beethoven, modeled by
his friend Crawford, which since 1902 has stood in the entrance hall of the New England Conservatory of
Music, Boston. An invitation extended to Perkins in 1857 to give some lectures at Trinity College,
Hartford, on "The Rise and Progress of Painting," started him as a lecturer. He possessed charm and
magnetism on the platform.
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Charles Callahan Perkins - Wikipedia, the free encyclopedia
After another European sojourn ended in 1869, he lectured frequently on Greek and Roman art before
Boston school teachers, and on sculpture and painting at the Lowell Institute. he served for thirteen years on
the Boston school committee. He brought to Boston the South Kensington methods of teaching drawing and
design to children, and he was instrumental in founding the Massachusetts Normal Art School, now the
Massachusetts School of Art. As a committeeman he was also assigned the third division of the school
system, comprising the North and West Ends. He took pains to know personally all teachers of his division,
often entertaining them at his home.
Prior to 1850, Perkins had proposed an art museum for Boston but had found the plan premature. When
others revived this project twenty years later he supported it. He was second among the incorporaters of the
Museum of Fine Arts, secured for its opening a gift of Egyptian antiquities, and made valuable suggestions
for arranging its exhibits. He advocated showing contemporary work as well as the arts of antiquity. He was
also elected president of the Boston Art Club, a post he held for ten years. He systematically devoted part of
each day to writing Tuscan Sculptors, published in London in 1864, which brought him a European
reputation. It was followed in 1868 by Italian Sculptors, with illustrations drawn and etched by the author.
He edited, with notes, Charles Locke Eastlake's Hints on Household Taste (1872), Art in Education (1870),
Art in the House (1879) from the original of Jakob von Falke, and Sepulchral Monuments in Italy (1885).
In 1878 he brought out, with illustrative woodcuts which he had designed, Raphael and Michaelangelo,
dedicated to Henry W. Longfellow, and included Longfellow's previously unpublished translations of the
sculptor's sonnets. His Historical Handbook of Italian Sculpture appeared in 1883, and in 1886, in French,
Ghiberti et son École. At the time of his death he had nearly finished his closely documented History of the
Handel and Haydn Society of Boston, Massachusetts, which others completed. He was also critical editor of
the Cyclopedia of Painters and Paintings, edited by Champlin. [1]
He was the grandfather of editor Maxwell Perkins and the great-grandfather of Archibald Cox. Perkins died
on August 25, 1886, in Windsor, Vermont in a carriage accident while he was driving with U.S. Senator
William M. Evarts of New York.
References
1. New International Encyclopedia
Sources
"Charles Callahan Perkins. "Dictionary of American Biography Base Set. American Council of
Learned Societies, 1928-1936.
Further reading
Johnson, Rossiter, ed. (1906). "Perkins, Charles Callahan"
(http://www.archive.org/stream/biographicaldict08johnuoft#page/n293/mode/lup).Dictionary of
American Biography 8. Boston: American Biographical Societies. p. 293.
Chisholm, Hugh, ed. (1911). "Perkins, Charles Callahan" Encyclopcedia Britannica 21 (11th ed.).
Cambridge University Press.
https://en.wikipedia.org/wiki/Charles_Callahan_Perkin
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Charles Callahan Perkins - Wikipedia, the free encyclopedia
There are tributes to Perkins by Robert C. Winthrop, Thomas W. Higginson and Samuel Eliot, with a
biography by Eliot, in the Proceednigs of the Massachusetts Historical Society, 2 ser. III (1888). See also:
Justin Winsor, The Memorial History of Boston, vol. IV (1881); A. F. Perkins, Perkins Family (1890);
Dwight's Journal of Music, March 1, 1856; and Boston Transcript, Aug. 26, 1886.
External links
Boston Art Club (http://www.bostonartclub.com)
Guide to the Cleveland - Perkins Family Papers
(http://www.nypl.org/research/chss/spe/rbk/faids/clevelandperkins.pdf)
Charles Callahan Perkins - Ask Art
(http://www.askart.com/AskART/P/charles_callahan_perkins/charles_callahan_perkins.aspx)
Later Years of the Saturday Club 1870 1920 (http://books.google.com/books?
I=5CZjcVp6fQwC&pg=PA17&lpg=PA17&)
Retrieved from "http://en.wikipedia.org/w/index.php?title=Charles_Callahan_Perkins&oldid=660385662"
Categories: 1823 births 1886 deaths | Artists from Boston, Massachusetts | American art historians
Harvard University alumni 19th-century American painters | 19th century in Boston, Massachusetts
American historians
This page was last modified on 2 May 2015, at 07:17.
Text is available under the Creative Commons Attribution-ShareAlike License; additional terms may
apply. By using this site, you agree to the Terms of Use and Privacy Policy. Wikipedia® is a
registered trademark of the Wikimedia Foundation, Inc., a non-profit organization.
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3/3
CHARLES CALLAHAN PERKINS
1823-1886
IN the fifties of the nineteenth century New England was just
awakening to an interest in contemporary European art, par-
ticularly that of Germany and France. The Athenxum, on top
of Beacon Hill in Boston, not only offered hospitality to letters,
but provided a picture-gallery expectant of purchases, gifts, and
loans. Busts of honored Bostonians and other Americans found
a home there; the casts of the best Greek statues began to adorn
the reading-room, and exceptionally brave New-Englanders were
learning to tolerate their unabashed beauty; and in an early ex-
hibition Page had had the courage to hang there a Venus - at
which visitors glanced hastily, quickening their steps. But there
were few masters of the arts in Boston, the study of art was not
generally respected, and a young man seriously interested in
it
could seek his education only across the ocean.
Charles Callahan Perkins, son of James and Eliza Green (Calla-
han) Perkins, was born on Pearl Street in Boston on March I, 1823.
He was a half-brother of Bishop Doane of Albany and of Mgr.
Doane of Newark, New Jersey. His father, a distinguished mer-
chant of Boston, was well known for his public spirit, which mani-
fested itself in extensive public charities; his grandfather founded
the Perkins professorship of mathematics at Harvard College, and
In substance and partly in form this sketch is drawn chiefly from the 'Memoir' by
Samuel Eliot in the Proceedings of the Massachusetts Historical Society for February, 1887.
Dr. R. W. Hooper, for thirty years a Trustee of the Boston Athenaum, sitting one day
in the reading-room, saw the door open and a young man bashfully look in. The Doctor
kindly rose and asked if he could do anything for him. The young rustic asked in a low
voice, 'Is this respectable, sir?' and the Doctor then perceived a young woman standing a
little apart. 'Oh, yes,' he answered, 'entirely so. Bring your young friend in. These are
celebrated statues from the antique, dug up in Greece. Let me show them to you.' They
passed among the alcoves, seeing Athene, Artemis, the Discobolus, and the Gladiator
rather uneasily, until they came to the statue of Uncle Toby removing the mote from the
widow's eye. The young man, relieved at seeing the figure clothed and bewigged, exclaimed,
'Oh, that's General Washington! Was he dug up?' 'No,' replied the Doctor, 'that is
Uncle Toby in Sterne's story.' 'Oh, your uncle!' said the young man, 'I ask your pardon,
sir. I don't believe I ever saw your uncle.'
8
The Saturday Club
was one of the originators of the Boston Athenxum; and his uncle,
Thomas H. Perkins, founded and richly endowed the Perkins In-
stitution for the Blind. Charles C. Perkins received the degree of
Bachelor of Arts from Harvard College in 1843, and that of Master
of Arts three years later. As a boy he had shown an inborn love of
music, and great skill in the use of his pencil; and shortly after
leaving Cambridge he went to study painting and music in Europe,
where he became a pupil of Ary Scheffer in Paris. Except for OC-
casional returns he spent the next ten years abroad developing
his own powers. He was married (in 1855) to Frances D. Bruen,
daughter of the Reverend Matthias Bruen of New York.
In 1847 and 1848 he was studying both music and painting in
Rome, where as a member of the art colony his interests extended
to other students less fortunate than himself. In letters to his
friends he constantly expressed hopes of some day seeing an Acad-
emy of Fine Arts in Boston, and upon his return for a three years'
stay at home the contrast between our unadorned, somewhat color-
less life and the advantages of Europe struck him SO forcibly that
the great scheme of his chosen work took still more definite shape.
But it was the success of his lectures on the rise and progress of
painting, delivered at Trinity College, Hartford, that definitely
turned him from composition and performance in music. He re-
turned to Europe for another prolonged stay of about a decade,
during which he began his beautiful books on Tuscan and Italian
sculpture, illustrated by etching, which until his return to the United
States had been practically an unknown art in this country. His
reputation abroad as a writer won him SO much honor, and his na-
ture and manner SO many friends, that he might well have been
excused for staying there as an author or a dilettante. France
recognized his zeal for the Fine Arts by making him Chevalier of
the Legion of Honor and a Corresponding Member of the In-
stitut de France; but his interests were with American culture, and
his other honors were destined to come from his own country.
His return was timely. A Boston Museum of Fine Arts had been
projected, and he came at the moment of its founding. It was a
great joy to him to find such an enterprise begun, and to be wel-
comed to a share in it; and doubtless it convinced him more than
Charles Callaban Perkins
I9
anything else could have done that the ground was ready for the
seed. He was elected Honorary Director, and for the rest of his
life the Museum was his object and his recompense. It is gratify-
ing to read in a Report for the year 1886 that his generosity, de-
votion, and success were well rewarded by the appreciation of his
associates. The Museum of Fine Arts was his greatest interest; but
idleness was never a temptation to him, and as art critic, President
of the Boston Art Club from 1869 to 1879, a member of the City
School Board from 1870 to 1883, President of the Händel and
Haydn Society from 1875 to 1876, a Fellow of the American Acad-
emy, and a member of the Massachusetts Historical Society, he
turned his time and his means steadily and effectively to useful
account. It is pertinent to note that in the election of 1884 the
political party then in power dropped his name as a candidate for
the School Board from the party ticket, SO that, in spite of his nom-
ination on other tickets, his service to the City came to a disap-
pointing end. Such were the penalties of 'independence' in the
Blaine campaign. His achievements were due to elevated tastes
combined with untiring industry and native qualities of rare
purity. One of his friends has observed that his life is a clear an-
swer to the riddle which puzzles SO many of our social critics: what
is the proper career for our young men of fortune?
If the Museum may be regarded as in part a memorial of him,
the Normal Art School building also may be SO regarded. Perhaps
the most revealing token of Perkins's character is the high-mind-
edness with which he was able to correct any overestimate he may
once have placed upon his own talents, especially as these were by
no means mediocre. He had made earnest and protracted efforts
to perfect himself; but when he found that his best work lay in per-
fecting others he turned quietly away from what had been SO full
of hope and inspiration to him, and consecrated himself to the
diffusion of the arts he loved. His work on the School Committee
in establishing the system of art instruction in the public schools
against the opinions of some of his friends in art vividly illustrates
his independence of character.
Perkins's work, after all, is but a corollary of his character. He
worked as though conscious of a special call: to bring to his coun-
20
The Saturday Club
try the treasures he had found, and to teach his countrymen how
to enjoy them; hence no understanding of his accomplishment can
be had without insistence on his belief in his own country. This is
evident by his personal sacrifices and by the free bestowal of his
cultivation and industry on the poorest and least fortunate of the
children in the public schools, and by the surer testimony that his
own children were brought up as good Americans while abroad.
When the shocking disaster of a carriage-accident at Windsor, Ver-
mont, on August 25, 1886, brought his life to a sudden close in the
full vigor of noble powers, the sorrow of those who could appre-
ciate his natural endowments, cultivated tastes, elevation and grace
1873
of character and of manner was mitigated only by the realization
that the work he had done was of the kind which endures.
8/24/19
Edece and Newton Perkins
Deed 9/12/89 at netwood in his 80th yr.
In lleurian "fear Public Doessate of Mass
Anneal Repets Puble officers g Institution Vsl.3
"A grableman of the old school, -equisity courteous
kind-hearted
Eposopolica affel ated c Perhais Institution.,
infectionce but was one of "most valeed
Where be not out shored whent three
advigers."
netword, 231 Perkins St.
8/23/2019
William Bayard Cutting - Wikipedia
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Series 2