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The Theater in Bar Harbor's Changing World
THE
THEATER
IN BAR HARBOR'S CHANGING WORLD
By Peter Cooper
Research by Lynn Kippax, Jr., Donna Delnick and Peter Cooper
Photography by Richard L. Sturtevant
I
is twenty minutes to show time at the Criterion Theater in
Bar Harbor, Maine. Already a queue of tourists clad in blue
jeans, sneakers and woolen sweaters has formed outside the box
office. Above them, framed in a band of colored lights, the
marquee heralds the arrival of The Great Muppet Caper.
From its drab exterior, the Criterion looks like countless other
small town movie houses. But once inside its darkened lobby,
amid the faded splendor of the theater's original art deco motif,
there is no mistaking the Criterion for an ordinary theater.
When it first opened its doors a half century ago, the Criterion
was hailed as one of the finest showplaces in New England. The
year was 1932, and Maine, like the rest of the nation, was still
mired in the Great Depression. But inside the Criterion, with
its silk-paneled walls and velvet draped loges, its ornate glass
chandeliers and grey-suited ushers, one could escape-for a few
hours, at least-the uncertainties of the outside world.
For a town of 4,000 year-round residents, it was a remarkable
place. But Bar Harbor in the early 1930's was not just another
small New England town. The extraordinary natural beauty of
Mount Desert Island, with its lush mountains and fabled rock-
bound coastline, made Bar Harbor an ideal summer sanctuary
for some of the wealthiest and most powerful families in America.
For the most part, the "summer colony," as the privileged
summer visitors were called by local residents, lived quietly,
whiling away the days in ocean-side estates that were staffed by
as many as twenty-five "locals," or on their well-appointed
yachts, also manned by locals.
4
CRITER ION
1932, WITH 916 SEATS,
MONDAY
RIGINAL ART DECO STYLING
OCTOBER
CRITERION
In the evenings, there were
Bar Harbor Club, once the sym-
private cocktail parties and din-
bol of wealth and prestige has
ners at the exclusive Bar Harbor
lost its luster.
Club. Afterwards, they stepped
Outside the Criterion, the
into their chauffeur-driven
limousines no longer line Cot-
limousines for the short ride to
tage Street, dispatching the
the Criterion.
summer socialites in their even-
The glamor and excitement of
ing finery. The theater itself has
that period has long since passed.
fallen into disrepair, the sleek
The Fords and Rockefellers and
elegance of its art deco design
Vanderbilts have abandoned
dulled with age.
their once exclusive enclave to
There are those who worked
and played at the Criterion in its
early years who still remember
"Y
ou had to
that golden era in Bar Harbor's
be careful
history. Through anecdotes and
reminiscences and feelings half
which summer
forgotten, they paint a vivid
picture of a changing world.
person you sat
with which
Th only theater in town
before the Criterion was
summer
the Star, a place which appeared
to be the creation of a frustrated
person.
Hollywood set designer. The
gray stucco facade rose in a
series of right angles like a
the growing number of tourists
sawed-off pyramid, crowned
bellows, snap on the light over
who descend upon the island
with a large white star.
the console and, with one eye on
each summer.
Inside the pine-panelled audi-
the screen and the other on the
The fashionable hotels and
torium, silent pictures danced
keyboard, launch into her first
shops have given way to inex-
across the screen as the music
salvo of chords.
pensive motels and souvenir
from a formidable Robert Mor-
"That was an era of gracious
stores catering to the tastes and
gan pipe organ filled the room.
living," recalls Mrs. Wescott,
a
budgets of the middle class. The
For many years the high priest-
vibrant 88-year-old, who now
posh dinner clubs have been
ess of that keyboard was a
makes her home in a senior
replaced by fast food restau-
woman named Pearl Wescott. A
citizen center not far from
rants and pizza joints; the
few minutes before the show
where the Star once stood.
Dreamland Dance Pavilion by a
was set to begin, Pearl would
"We had two Bar Harbors,
discotheque.
amble down the aisle and step
winter and summer. The sum-
Campers and motorcycles clog
behind the low red cafe curtain
mer people, Bar Harbor catered
the narrow streets, while boats
which enclosed the organ. Doff-
to them because they were bread
filled with sightseers cruise the
ing her racoon coat, she would
and butter. For three months
island's jagged shores. Even the
flick a switch that turned on the
it was bread and butter. Very
6
gracious living."
quent visitor to John D. Rocke-
of the Chase Manhattan bank).
When Mrs. Wescott wasn't
feller's estate in nearby Seal
And the father paid them seven
playing at the Star, she was
Harbor, where she played at a
cents a quart. You would never
often hired to perform at private
private dancing school for the
know they were millionaires. I
recitals and dinner parties. "Mrs.
Rockefeller children. "They were
sat and ate with them and I ate
(Frederick) Vanderbilt wanted
lovely people. And when they
the same food I put on my own
me to play at her Sonogee (name
came to Seal Harbor all the
table."
of her estate). She had a big pipe
pomp and circumstance was
organ, and she wanted dinner
gone. They were just as ordi-
music while they were in the
nary as you and I.
T's
he Star was a place where
shopkeepers and gardeners
dining room. You see I had an
"I knew the housekeeper for
could sit elbow to elbow with
entree to a gracious sort of
years, and she would tell me
the Rockefellers and Vanderbilts.
living. And, of course, it paid
how the boys used to pick blue-
But it was a far cry from the
well. Mr. Emory (Joe Emory, the
berries for their mother (Rocke-
elegant theaters of Philadelphia,
owner of the Star) was tickled to
feller had five sons, including
Boston and New York, to which
death because of the publicity."
Nelson, the former governor of
the summer colony was accus-
Mrs. Wescott was also a fre-
New York and David, chairman
tomed.
7
CRITERION
The absence of a theater ap-
vision and ingenuity who, as his
torney, John Stolfoid, who owned
propriate to the tastes of Bar
son, George McKay, Jr., recalls,
stables and greenhouses, and
Harbor's elite did not go un-
"was just always dreaming about
Dan Heurley, who owned the
noticed by George P. McKay, a
things. My mother was in con-
Dreamland dance pavillion, one
local entrepreneur who ran a
stant fear of what brainstorm he
of Bar Harbor's hottest night
small cottage on Main Street.
would come up with next. He
spots, as well as a local boxing
A handsome, dapper man, Mc-
was a very progressive thinking
arena.
Kay was a gregarious sort who
guy. He could see things that
There are those who whis-
per that McKay acquired funds
through another source as well
-rum running. If McKay was,
in fact, a bootlegger, one thing is
certain: he was not alone.
In the years preceding the
repeal of Prohibition in 1933,
bootlegging was rife along the
entire coast of Maine. And there
was no place better suited for
the trade than Bar Harbor, an
island port with a populace that
could well afford to pay the price
for illicit liquor.
"I remember the town was
dryer than beach sand," Mrs.
Wescott recalls. "But the rich
people wanted their liquor, and
they would get it. It was a
perfect place. They would run
the liquor in from beyond the
always had a smile and a drink to
needed to be done. Every day it
lighthouse. The boats were going
offer friends and acquaintances.
was something different."
in and out and the government, I
He would often tell the story of
One of the things he thought
think, turned their backs on it.
how he stepped off the ferry
most about was creating a the-
We all knew who they were, but
from Hancock "leading a cow
later that would lure the town's
there was a lot of looking the
with 40 cents in his pocket". But
monied inhabitants. Although
other way. There was SO much
he soon established himself by
McKay had accumulated some
money involved."
forming a trucking business
wealth from his business enter-
If McKay wasn't directly in-
which catered to the summer
prises, he lacked the funds to
volved in running hooch into
residents. Later he would estab-
finance a project on the scale he
the island, there is little doubt
lish the island's first bus service
envisioned. So he formed a cor-
that he had easy access to it once
connecting Bar Harbor with the
poration and sold shares to other
it arrived. Although he wasn't
neighboring communities.
prominent citizens of the town.
much of a drinker himself, he
McKay was no ordinary en-
Among the shareholders were
was quick to pass the bottle to
trepreneur. He was a man of
Ralph Masterman, a local at-
others.
8
"If you were down to his
house he'd give you a drink
quicker than hell, and it would
be the best," recalls Bob Cosom,
who used to deliver coal to the
McKay Cottages.
"There was nothing cheap
about him. He was a rough and
ready fellow, a free hearted
man, and he was generous with
his liquor with any bum as long
as they didn't make any trouble."
"Y
ou would
never
know they
were million-
aires."
It was common knowledge
that the kingpin of the Bar
Harbor bootlegging trade was
Heurley, a close friend of Mc-
Kays and one of the chief
backers of the Criterion. He was
also one of the few operators
who met up with the law, an
occasion which won him an
expense-paid trip to the federal
penitentiary in Atlanta.
I'
in
June of 1932, McKay's
moment of triumph finally
arrived. The opening of the
Criterion was greeted with a
chorus of acclaim from area
newspapers. "Criterion Theater,
Bar Harbor Showplace, Opens
Monday," read the banner head-
9
CRITERIO
line over a full page spread in the
Vila and Stringo are vaudeville's
"It was more or less a formal
Bangor Daily News.
favorite syncopators and feature
situation in those days, much
According to the News, the
the mandolin and guitar with their
more than it is today. In the
theater was erected in five
singing. This act has played in some
summertime, the balcony was
months at a cost of $150,000,
big city theaters and has good press
always reserved seats. The best
although other sources place the
notices. A clever dog and a clever
seat you could buy in the house
cost as high as a quarter million
man in an acrobatic act goes under
was 99 cents. These were all
the name Maxine and Bobby. The
dollars.
dog does a wonderful balancing feat
reserved for the summer people.
McKay spared no expense in
"You had to be careful which
and a tumbling act is a never to be
creating his movie palace. The
forgotten masterpiece of the art.
summer person you sat with
Criterion was a stunning blend
Earl, Jack and Betty are a-thrill-a
which summer person. You
of art deco elegance and modern
minute roller skaters and they have
know, they're kind of cliquey.
technology. The velvet lined
clever stunts in their bag of tricks.
There were people who thought
seats were equipped with pho-
They go places and do things on the
they should have been million-
nograph jacks SO that the hard of
elusive rollers. The Three White
aires but weren't, who always
hearing could wear headphones,
Gobs are from the good ship dance
tried to get in with the mil-
and the walls contained a net-
and song, and can they do both! This
lionaires.
work of brass pipes which were
act is clever and original."
"You didn't know my father.
to be connected to a vacuum
Everybody that came into the
system.
O
ne person who remembers
theater, he used to say, 'Come
In 1932 vaudeville was still
those early years is Mc-
into my office, it's my birthday, I
very much in vogue, but it was
Kay's son, who worked as an
want to give you a drink.' There
the talking picture, then in its
usher at the theater. "It was a
was one guy who came out of
infancy, that was rapidly cap-
long day," recalls George Jr.,
the office one time and said, 'Just
turing the imagination of the
who now runs the McKay Cot-
exactly when is your father's
American public. The Criterion,
tages.
birthday?' That was typical of
with an expansive stage framed
"I went to work in summer
my father.
in a towering proscenium arch,
tux pants and white jacket and
"He wasn't a drinker, though.
was designed to accommodate
cummerbund and starched shirt
That was the funny thing.
both stage and screen shows.
and collar with a bow tie-it was
They'd take him to parties and
The opening night bill fea-
a maroon bow tie. Everybody
stuff, and he'd pour it in his
tured the talkie "Arsene Lupin"
dressed. At eight o'clock in the
shoes. I remember one party he
and five acts of vaudeville "di-
morning father insisted we go
went to he poured it in the
rect from the Keith Theater in
up there to clean the place. Then
woman's plant and killed it. She
Portland". Here is a description
we'd go back for the two o'clock
never could understand what
of the program as it appeared in
matinee.
happened to her plant.
one newspaper account:
"You'd go home at 4:30, eat
McKay's daughter, Margue-
your supper, take a shower, and
rite McKay Dwyer, a retired
"Heading the bill will be Dr. Jekyll
and Mr. Hokey, a miniature musical
get back into that monkey suit
physician who now lives in
comedy of seven performers. The
for the seven o'clock show at
Bangor, sold tickets at the thea-
act will be a comic satire on the
night. You didn't get out of
ter. She remembers a Bar
Jekyll and Hyde masterpiece, re-
there until after eleven. It was a
Harbor much different than
plete with chills, thrills and laughs.
long day for a boy 15 or 16
what it is today.
There will be singing and dancing.
years old.
"Your whole economy was
10
different back then. You had
party, they would come to the
had to do it first come, first
Bonwit Tellers, Pearl Cum-
theater in the morning, they
serve.
mings, Frank's Boot Shop.
would have the chauffeur drive
"Evalyn Walsh McLean (the
Where the Villager Motel is,
them up to the town. And they
wife of Edward McLean, who
that was McCloud's Garage, and
would come in to look at our
owned the Washington Post ) al-
that's where a lot of the limou-
booking to see what we had
ways came to the movies, and
sines were. All the chauffers
she always wore the Hope Dia-
used to be there.
mond around her neck-it was
"The grocery stores were dif-
"They They were
on a silver or platinum chain.
ferent. There were no chain
rich and
"She was always very gen-
grocers. There was Butterfields
erous, and I remember we had
and Green Brothers on the cor-
we weren't.
vaudeville at the time-at that
ner there, and Ding's Market,
with all the fancy fruits and
That's the way
time they had some very good
acts out of Boston, young people
cheeses and everything. It was
-and several times she invited
just a whole different world.
it was."
all the cast down to her place,
"You had a summer resident
which was at the end of Way-
population. And people used to
booked for pictures.
land Lane for supper after the
go to the shore club, the Bar
"And, depending on what we
show.
Harbor Club, and have dinner
had for a show, and what we had
"Walter Damrosch (the New
parties. And they'd all come in
available for tickets, then they'd
York composer and conductor)
evening dresses.
book a box or two, whatever the
used to come to the movies, the
"Of course your best box was
size of their dinner party, and
(Edsel) Fords, the Rockefellers
your center box. That was all
then they'd go to the club and
and the Stotesburys, Atwater
fixed up with phones that you
make arrangements for dinner.
Kent, one of the big radio manu-
could plug in (for the hard of
There was a lot of feeling about
facturers.
hearing). What they would do, if
who got what box. I mean, boy,
"Usually their children, with
they wanted to have a dinner
it was ticklish sometimes. You
their governess or tutors, would
11
CRITERION
be driven to the first show,
the property was sold and torn
they make very many of today.
while the older people had
down to get that ferry terminal
Of course, I'm the old fashioned
dinner parties and they would
in."
type.
come to the late show.
"In those days, when I worked
"There would be on Cottage
P
erhaps the best authority on
there, the whole of Bar Harbor
Street a whole line of cars, you
the history of the Criterion
was entirely different than it is
know, Lincolns, and then the
is Roy Blake, who worked at the
now. Now it's a tourist town.
Cadillacs, all the big cars, chauf-
theater for over forty years as a
Back in 1930 and along in there,
feur driven. And you used to
projectionist and manager.
it was a summer resort for
have a doorman out there calling
At age 80, Blake has been
wealthy people. And the sum-
cars; you had to, you know.
retired for years, but he still
mer people had homes here;
"The Ford children always
makes his way down to the
either that, or they came and
came to the movies. The chauf-
theater several times a week to
stayed in hotels here or in
feur would drive them over with
Northeast Harbor. They stay
the governess. In later years,
there now (Northeast Harbor),
Happy Rockefeller always came
with their children. She was an
"O
ne day a
what's left of 'em.
native
"The old time wealthy people
extremely pleasant person, very.
most of 'em dropped out
She'd come to the candy counter
jumped in the
and the younger ones coming up
and stand, waiting in line with
aren't the same. They don't
the kids.
pool and they
for these summer estates and
"They were just ordinary
drained it."
chauffeurs and all that kind of
people," Dr. Dwyer says of the
stuff.
wealthy and famous who fre-
"When I came to work here
quented the theater. "They came
check the aging projection equip-
there were horse-drawn carri-
summers and you accepted them
ment-the Simplex projectors
ages with the liverymen and
as part of the town. You see,
originally installed in the thea-
everything, you know. You
where you're seeing all these
ter are still in use today-or
didn't see too many of them, but
motels, those were all great big
simply to pass the time. He first
there were some. And then
summer cottages.
came to Bar Harbor in the early
there were a lot of big cars, you
"Where the ferry is now, that
1920's to work at the Star.
know the big, expensive Cadil-
was Edward T. Stotesbury's
"I went to work at the Cri-
lacs and that type of car with
estate, they were from Phila-
terion about a year after it
chauffeurs.
delphia, and they built this
opened. When it opened they
"And the madams would be
beautiful home there. In the
ran vaudeville two nights a
in the stores
summer
bathrooms, all the fixtures were
week, I believe it was Mondays
stores you know. Had high grade
gold-plated and everything. I
and Tuesdays. I believe it was
stuff; branches from New York:
remember being invited with
RKO Keith Vaudeville out of
places like Tiffany's, and all of
the YW and they had us up there
Boston.
those. And the chauffeurs would
for tea. I can remember having
"It was high class, good vaude-
be standing next to the cars,
watercress sandwiches. And we
ville. Of course, in those days
waiting for the madams to come
were in those bathrooms as
they were making what I con-
out. That's the way it was then,
much as we could looking at
sider good movies, outstanding
but that's all gone now
those gold-plated fixtures. But
movies, which I don't consider
absolutely."
12
supposed to have been stolen
many, many years ago, from the
eye of some idol in some foreign
country or something and there
was a curse put on it. Probably
there's nothing to that.
"But I don't know
I've
had a lot of bad luck since I held
that stone in my hand. Since
that night I've lost two wives.
But those things happen, you
have no way of knowing.
"The McLeans, this Edward B.
McLean, he bought that for his
wife for her birthday or Christ-
mas or something. And Mrs.
McLean died with a goiter, I
believe, in the neck. And Edward
B. McLean, he drank himself to
death.
"They had a little boy and he
got hit by a garbage trunk.
And the little girl which I was
telling you about, she married
some senator. I don't recall his
name, but he was old enough to
be her grandfather, I guess.
Much, much older than she was.
As I understand, she died from
an overdose of narcotics, pills of
some type."
Jea
ean Curtis Frost, the daughter
of a local gardener, who
works at the Bar Harbor Trust
sion, Blake was hired
Company down the street from
m at the home of one
On one particular evening,
while he was setting up the
the Criterion was only one year
mer residents. One of
old when the theater first
projection equipment, Mrs. Mc-
ar customers was
alsh McLean, who
Lean's daughter came up to him,
opened. As a youngster, she
ertained guests on
the Hope Diamond dangling
was, like many of her friends, an
avid movie-goer. It was a rare
ening with dinner and
from her neck. It was, says
Saturday afternoon when she
Blake, a fateful encounter.
creening.
"The story of that
could not be found attending the
it was
matinee with her girl friends or
13
CRITERION
a special young man.
looking. He was kind of a fancy
"Most of the kids got twenty-
man. He was nice to everyone.
five cents a week for allowance.
He used to have a lot of the local
Everybody had boy friends, but
drunks working for him. He'd
you paid your own way because
get a lot of work out of them for
everything was Dutch treat in
a bottle of wine.
those days. It was fifteen cents
For Jean and many of her
to go in the afternoons.
contemporaries who grew upon
"So I had a dime left over and I
Mount Desert Island, the Cri-
saved my dime for the next day
terion was the only theater they
hoping to con my mother and
had ever known, and they never
father out of another nickle SO I
thought of it as being anything
could go again on Sunday after-
exceptional.
noon. My boy friend spent his
"In a way it was like being
and we got three candy bars
brought up with a silver spoon
for a dime at the A&P store. He
in your mouth. You thought all
picked one and I picked one and
the theaters were like that, you
we agreed on one.
know, with all the velvet cur-
"More often it was probably
"As I recall, on Saturday you
tains. It was very opulent, but I
for lawyers' children rather than
got a double feature, a serial and
never did think about it, people
gardeners' children, I don't
a cartoon, if you were lucky.
not having that kind of theater.
know."
They had "The March of Time"
It was the only theater we ever
-it was the news-and every-
went to.
N
ow
it's
a
body would hiss and boo, no-
"Of course the loge was fun
body wanted to listen to that.
because you could go up there
tourist
'The march is on,' it would say at
and smoke cigarettes. Every-
the end, and then somebody
body did. But in the summer-
town; back
would yell, 'We're glad it's finally
time, that's when the high
then it was
marching on.' You know, it was
brows sat up there with the
SO educational, nobody wanted
curtains closed. They'd all come
a summer
to listen to that. Get on to the
to the second show, after they'd
Looney Tunes. Hopalong Cas-
been out to dinner or at the club
resort for
sidy was my hero in those days.
or somewhere; half-gassed most
George McKay was a constant
of them.
wealthy
presence at the theater in those
"I can remember when I went
people."
days, recalls Mrs. Frost. "He was
upstairs, it was probably for
a charming man. A charming,
someone's birthday. When you
handsome man. He was always
went to the movies on Saturday
There was an unspoken rule
there at the theater and he
or Sunday afternoon, you didn't
in Bar Harbor in those days that
moved around very fast making
sit in the loge. You could go up,
the local kids did not mix with
sure that everybody was happy,
but it was more money SO you
the summer people. The most
'specially the summer people.
sat downstairs. But if you had a
visible symbol of that class
"I remember him as being
birthday party you made a
structure was the exclusive Bar
white haired and sort of elegant
special deal.
Harbor Club, where Jean's sister
14
Roy Blake sits in the darkened theater where he was projectionist. Below, owner B. J. Morison takes tickets.
once worked "passing out towels
to the rich kids."
One day, local lore has it, a
native jumped in the pool. "They
drained it. You know, cleaned it
right out. It was that kind of
place."
But for the most part, Mrs.
Frost says, the local people did
not resent their priviledged
summer visitors. "That was the
way it always was. They were
rich and we weren't. I don't
think there was any resentment.
Jealousy maybe. We thought it
would be nice to be rich."
B
y
the mid 1930's, the Star,
unable to compete with its
posh rival down the street, had
fallen on hard times. In 1936,
McKay himself purchased the
Star. It was a move, according to
his son, designed to take ad-
15
CRITERION
vantage of the film leasing
October, when most of the sum-
tried to get in through Hulls
policies established by the major
mer colony had retreated to
Cove, we tried through the
studios which required theater
their winter residences. Al-
Norway Drive.
owners to book a certain num-
though only two lives were lost
"Finally we got in behind a fire
ber of B-rated films. The idea
(one child fell off a truck and a
truck. And when we went down
was to keep the top rated pro-
man had a heart attack), most of
Eden Street, those houses were
ductions for the Criterion and
the year-'round residents were
just burning, just like you see in
pass the others off on the Star.
forced to evacuate the island.
the movies. And the trees just
"But the scheme only post-
Sixty-seven of the 222 summer
glowing, and the things coming
poned the Star's demise. Several
cottages, and 70 of the 667 year-
over the road, and wires down.
years later McKay converted
round residences were de-
It was just lawful. The people
the theater to a nightclub, and in
stroyed.
were all on the athletic field.
subsequent years the once proud
"And then word came that the
silent picture house was reincar-
fire was spreading and they all
nated as a bowling alley and a
"In a way it
ran down Main Street to the
furniture store.
was like
wharf and were evacuated by
The Star wasn't the only insti-
boats.
tution in Bar Harbor that was
being brought
"I don't know how many of
changing. As World War II ap-
proached, the town itself was
up with a silver
those great big homes were
lost. And that's when everyone,
undergoing a gradual metamor-
spoon in your
practically, who had money in
phosis. The era of gracious living
Bar Harbor moved over to
was giving way to increasing
mouth. You
Northeast Harbor. We had
commercialization. The fashion-
able hotels and exclusive shops
thought all
nothing left. We lost all our
hotels. All there were were just
were replaced by inexpensive
theaters were
big chimneys standing. And
motels and chain stores catering
blackened trees.
to budget-minded tourists.
like that."
"The whole mountains were
And then came an event that,
black. It was a total wasteland.
in one lightning-quick stroke,
Most of those who lived
And all that was left of Bar
changed the course of Bar Har-
through the experience still re-
Harbor was Main Street and
bor's history forever: The Great
tain vivid memories of that fiery
Cottage Street and Mount Des-
Fire of 1947. The accounts of
week. Dr. Dwyer was in Bangor
ert. Jackson Lab (the scientific
how and where the blaze began
with her mother when the fire
research center), the whole lower
vary, but the results were de-
broke out, but her father and
Main Street burned. The whole
vastatingly clear.
other members of the McKay
town was just wiped out."
In five harrowing days the fire
clan were trapped on the island.
Although the Criterion sur-
ravaged more than half the land
"We got back the following
vived the Great Fire, the luster
area of the town, blackening
day to get my mother home to
of its early years had worn
whole mountainsides and con-
him. And when we came in the
thin. Several years earlier, Mc-
suming, indiscriminately, the
flames were going. We tried five
Kay, faced with financial dif-
homes of the rich and working
ways to get into town before we
ficulties, had leased the building
class.
got in. My husband had oxygen
to a New York theater operator.
The fire occurred in late
tanks in the back of the car. We
In 1956 Dr. Dwyer and her
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